The Creative Photograph in Archaeology
Συλλογικό έργο
Μουσείο Μπενάκη (2008)
[...] In the 20th century, photography as applied to archaeology begins to follow two main paths. The purely scientific and technical recording of antiquity, which it serves as an auxiliary, and an aesthetic approach to ancient art, which expands the boundaries of photography as applied to archaeology. The purpose of the present exhibition is to explore the aesthetic dimension of archaeological photography and to describe its development from the artistic photographic attempts of the 19th century travelers to the creative archaeological photography of the 20th century. The...
Photographs 1975-2002 from the Works on the Acropolis of Athens
Υπουργείο Πολιτισμού. Ταμείο Αρχαιολογικών Πόρων και Απαλλοτριώσεων (2002)
The extensive work of restoration, with responsibility entailed, that has been in process during the last 25 years on the Sacred rock of the Acropolis, has now acquired a concrete and imperative time-frame. By the year 2004 - a chronological land - mark for the Greece because of the Olympic Games - the result will be manifest in its entirely, as the works are proceeding systematically and rapidly. The photographic chronicle exhibited here records the progress of the works. It is thus of tremendous value, not only artistically but also because it provides material evidence....
Parthenon Promenades
Χατζηασλάνη Κορνηλία
Ίδρυμα Μελίνα Μερκούρη (2001)
The Melina Mercouri Foundation and Mr. Jules Dassin have honoured me with a request to write a book for young people about the Parthenon and its sculpture. The purpose of the book is to familiarise the readers with classical art, both architecture and sculpture, so that when they visit the Acropolis and also the British Museum, where much of the sculpture of the great temple is today, they can comprehend and appreciate it. [...]
