Τέχνη, Αρχαία ελληνική

Ancient Cypriot Art in the National Archaelogical Museum of Athens

Καπόν (2003)

This is the first time that 237 representative object pf the Cypriote collection in the National Archaeological Museum of Athens have been presented both to the scholarly world and to the general public. Very few people were previously aware of the existence of the collection, so this is an event of more than just scientific value in making the collection known to a wide audience. [...] Evangelos Venizelos Former Minister of Culture

Ancient Gold Jewellery

Εκδοτική Αθηνών (1996)

Greek art, the culminating achievement of the greek spirit, is the subject of the new monumental series published by Ekdotike Athenon. The artistic creation of hellenism during its three historical periods, antiquity, byzantium and modern times, is comprehensively presented in fifteen luxurious volumes, in which elegant texts are harmoniously combined with superb illustrations. Each volume, essentially a monograph on a specific art form, closely follows its evolution through a brilliant selection of representative works, which are typical of its various phases and trends, a...

Ancient Greece: Sculptural Masterpieces

Αίσια Λ. Αλφαντή (2012)

Το λεύκωμα περιέχει φωτογραφίες αγαλμάτων της ελληνικής αρχαιότητας, που έχουν υποστεί κατάλληλη φωτογραφική επεξεργασία, ώστε να αναδεικνύεται πλήρως η καλλιτεχνική αξία της αρχαίας ελληνικής γλυπτικής.

Ancient Lands

Σύνολο (2010)

The album you are holding in your hands is a memory of the land where Athena appears to be reborn, over and over again; the Minoans, the Mycenaeans, the Dorians spring out of the deep blue waters and imposing ancient centres, religious images, cults, myths, oracles, culture and nature of this country, Greece. Greece offered material and symbolic wealth, taught science, methodology, philosophy and politics; a measure which is brimming with life's essence. Mortals, demigods and gods orchestrated enchanting myths, built brilliant cities, sanctuaries, theatres and markets, took...

Archaic Colors

Μουσείο Ακρόπολης (2012)

Archaic Colors - A Day at the Acropolis Museum

Μουσείο Ακρόπολης (2012)

Despite the impression we might get when visiting an archaeological museum and seeing colorless white statues, ancient Greek statues were multicolored. Artists used vivid colors to paint their sculptures, since they were copying the world around them. They sought to use color to bring their sculptures to life and to highlight certain details.

Corpus Vasorum Antiquorum

Ακαδημία Αθηνών (1993)

This CVA fascicule, the fourth in the Greek series, includes 108 Attic black-figure skyphoi in the National Museum of Athens. The National Museum's skyphoi represent almost every type produced in the Athenian Kerameikos during the 6th and the 5th centuries B.C., thus offering a good picture of the development of the shape. Most of the 6th-century Attic black-figure skyphoi in the National Museum have been included in this fascicule; on the numerous later mass-produced skyphoi, particularky of the CHC Group and of the Ure's Class K 2, only a selection is given, while no pinc...

Corpus Vasorum Antiquorum

Ακαδημία Αθηνών (2002)

This CVA fascicule includes seventy-eight Attic and five Atticizing amphorae dating to the period from Sub-Mycenaean to Late Geometric. They represent the great majority of the Attic and Atticizing amphorae of that period kept in the National Archeological Museum in Athens. Amporae from published excavations (e.g. the Nea Ionia vases) and those included in a previous CVA volume (e.g. the monumental belly handed amphora inv. no. 804) were systematically excluded from this volume. Emphasis has been given to the unpublished Attic amphorae and sixty-three vases are presented he...

Eros, from Hesiod's Theogony to Late Antiquity

Μουσείο Κυκλαδικής Τέχνης (2009)

Figurines of Neolithic Thessaly

Ακαδημία Αθηνών (1996)

[...] The Academy of Athens, showing great sensibility to our proposal, has kindly sponsored the publication of the Corpus. These circumstances made possible the composition of this volume, which presents 362 Neolithic figurines fron Eastern and Western Thessaly, the cradle of Neolithic civilization in Greece on account of its georgaphical location, natural enviroment and resources. [...] (Από τον πρόλογο του βιβλίου)

Greek Art and Archaelogy c. 1200-30 BC

Καπόν (2016)

The textbook Greek art and archaeology, written by Greek specialist Dimitris Plantzos and published by Kapon Editions in 2011, was selected by Atlanta-based American publishers Lockwood Press as their first venture into the field of classical archaeology. Translated by British archaeologist Nicola Wardle, the book, which has just appeared, was thoroughly revised and expanded by its author. The English-language edition is distributed in Greece and the rest of Europe by Kapon Editions, who also redesigned the Greek-language edition. In the five years since its first edition,...

Islands off the Beaten Track

Μουσείο Κυκλαδικής Τέχνης (2011)

Islands off the beaten track is the name of a series of archaeological exhibitions being organised by and held at the Museum of Cycladic Art, in collaboration with the Ministry of Culture and Tourism. The exhibitions will focus on the most remote, inaccessible, small and medium-sized islands of the Aegean archipelago. They will include some of the farthest removed and least known regions of Greece in which people have lived and worked, and whose works and culture will be highlighted in separate exhibitions. The exhibitions are curated by the Director of the Museum of Cyclad...

La peinture funeraire de Macedoine

Εθνικό Ίδρυμα Ερευνών (Ε.Ι.Ε.). Ινστιτούτο Ελληνικής και Ρωμαϊκής Αρχαιότητας (2006)

Le plaisir que l'on eprouve a presenter au public un livre comme celui de Hariclia Brecoulaki vient de ce qu'il est a la fois tres attendu - en raison de l'aura qui entoure a priori son objet - et completement nouveau par la maniere dont celui-ci y est aborde. La double formation de l'auteur, qui l'a progressivement menee de la conservation-restauration a l' archeologie historique, lui a en effet tres vite assure dans la recherche sur la peinture antique une position originale, la conduisant a etendre ses investigations hors du domaine grec, notamment dans l'Italie preromai...

La peinture funeraire de Macedoine

Εθνικό Ίδρυμα Ερευνών (Ε.Ι.Ε.). Ινστιτούτο Ελληνικής και Ρωμαϊκής Αρχαιότητας (2006)

Le plaisir que l'on eprouve a presenter au public un livre comme celui de Hariclia Brecoulaki vient de ce qu'il est a la fois tres attendu - en raison de l'aura qui entoure a priori son objet - et completement nouveau par la maniere dont celui-ci y est aborde. La double formation de l'auteur, qui l'a progressivement menee de la conservation-restauration a l' archeologie historique, lui a en effet tres vite assure dans la recherche sur la peinture antique une position originale, la conduisant a etendre ses investigations hors du domaine grec, notamment dans l'Italie preromai...

Mycenaean Wall Painting in Context

Εθνικό Ίδρυμα Ερευνών (Ε.Ι.Ε.). Ινστιτούτο Ελληνικής και Ρωμαϊκής Αρχαιότητας (2015)

The Aegean World

Καπόν (2013)

The Ashmolean Museum of the University of Oxford is home to one of the finest collections of art and archaeology in the world. With some 10,000 objects, it is also the home of the best and most comprehensive collection of Aegean antiquities (Cycladic, Minoan and Mycenaean) outside of Greece. Much is owed to Sir Arthur Evans (1851 - 1941) who managed during his directorship (1884-1908) to strengthen significantly the museum’s archaeological holdings and to establish it as one of the leading centres of archaeological research. Evans is primarily known today for his excavation...

The Art of Painting in Ancient Greece

Καπόν (2018)

This innovative, fresh look on Greek painting combines a standard, comprehensive survey of the material record - wall-paintings, painted panels, or slabs - with an in-depth exploration of the ways in which the Greeks themselves appreciated this demanding art.

The Parthenon Frieze

Ο Μωβ Σκίουρος (2018)

Since I too have agonized over trying to decipher the meaning of the Parthenon Frieze, I believe that I am allowed to repeat something that I supported some time ago: that the reexamination of a subject so labyrinthine and bibliographically lumbered has to be dealt with as an intellectual debt, the satisfaction of which will justify all future corrective approaches. However, the anticipated reevaluations of perhaps the most important artistic creation of Periclean times will be fruitful and forward-looking only to the degree that they will draw cognitive powers from a funda...

The Parthenon Sculpture

Μουσείο Ακρόπολης (2010)

Άγονη γραμμή

Μουσείο Κυκλαδικής Τέχνης (2011)

"Άγονη Γραμμή" είναι η ονομασία σειράς αρχαιολογικών εκθέσεων που διοργανώνει το Μουσείο Κυκλαδικής Τέχνης στους χώρους του σε συνεργασία με το Υπουργείο Πολιτισμού και Τουρισμού.

Συνολικά Βιβλία 126
243.186 Βιβλία
122.585 Συντελεστές
4.631 Εκδότες
Με την υποστήριξη του ΒιβλιοNet και του Εθνικού Κέντρου Βιβλίου